He studied art at the Chisinau Art School from 1905 to 1910 and at the School of Decorative Arts in Paris from 1912 to 1914. After training, he became close to a group of Jewish artists from the legendary Parisian workshops of "La Ruche" (The Beehive) and painted several portraits of its members. In 1913, he exhibited his first works at the Autumn Salon, but his Parisian period was interrupted by service in the French army. In 1916, he returned to Russia and settled in Petrograd, where he joined the Jewish Society for the Encouragement of the Arts.
In 1917, Brazer presented his works at the "World of Art" exhibition in Petrograd and later that year moved to Vitebsk. From 1918 to 1923, he became a pillar of the Vitebsk People's Art School, founded by Marc Chagall. Brazer was deeply integrated into the city’s revolutionary art scene: his portrait of Karl Liebknecht graced the city theater, and by 1922, he headed the painting and sculpture workshops at the Vitebsk Art and Practical Institute (VHPI).
Beyond teaching, Brazer acted as a vital link between the centers of the avant-garde. He was responsible for the delivery of groundbreaking works from Moscow for the Vitebsk Museum of Modern Art, shaping one of the most important collections of the era. During this time, his own graphic works were also acquired for the museum's permanent collection.
In 1924, Brazer moved to Minsk, where he dedicated much of his work to Jewish themes across all genres, from landscapes to still lifes. He created a definitive series of sculptural portraits of prominent figures in Jewish culture, including the artist Yudel Pen, the director Solomon Mikhoels, and the poet Isaac Kharik. In 1941, he held a solo exhibition in Minsk, but the outbreak of the war prevented his evacuation. Abram Brazer remained in the Minsk Ghetto, where he perished along with his family in 1942.
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